No Questions Asked - Stevie Ray's Company Newsletter - June 7, 2015

Published: Sun, 06/07/15

www.stevierays.org Contact Us via E-Mail Phone: 612-817-6656
June 7, 2015 | Issue #102
Cabaret Chronicles

By Matthew Kraft

In May, we kicked off our new variety-show format, which includes sketches (written scenes), pre-written songs, and stand-up comedy, in addition to our usual improv.  This change reflects our desire to give our audiences a fuller, richer experience of comedy, while still keeping improv at our core.

June's performances include the sketches Talk 'n' Crafts, which is about two Chanhassen housewives' public-access craft show who create a 4th of July centerpiece with old toothbrushes, duct tape, and wine coolers, and another about a man who gets more than he asked for with "Genie" his new dashboard Global Positioning System, called GPS.

Come hear Brett Williams, Carl Olson, and Rex Isom, Jr. serenade fathers in honor of their day coming up on June 21st.

Chris Barron, Joe Harstad, and George O'Connor were our stand-up comedians from May, and June's will have you slapping knees, tables, and quite possibly, your neighbor's knees with laughter.

With only three more weekends in June, these comedy opportunities are not to be missed.  

Come on down, and you will experience never-before and never-again seen scenes that can only happen with you in our audience.

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Comedy Shows
improv: a first time experience
By max mars

As a new touring troupe member performing for the first time I had a blast. I was treated like family by the troupe members.


Back story, my name is Max Mars and I am a “comedian.” My first encounter with Stevie Ray’s Comedy was many, many years ago in the park. Being a young kid watching these 5 or 6 people come up with these ideas that were making everyone laugh that no one knew what was going to happen before those words came out of their mouth. 


Not long after that--like 8 years later--I decided to audition for the troupe. Now that I have done my first show with the troupe I can say that this is the best group of people I have ever done comedy and improv with. Being on that stage with these people has been such an amazing opportunity. I have learned so much and grown as a comedian and as a person. I am looking forward to working more with everyone so I can grow even more. Thank you to Stevie and Pamela for this new chapter in my life. As a new touring troupe member performing for the first time I had a blast.

Classes
Playing on the road
by rex isom, jr.

I would have to say that my favorite improvisation game to play with teenagers, at the end of an improv workshop with them, is to have them physically create a portrait of an environment, using as much of the available space as they can. This game really creates fun for many reasons, among them being a great platform for humorous imagery:

"Okay, what would YOU like to be in the picture?"

"I want to be the cotton candy maker!"

"Alright, you're the cotton candy maker! How about you?"

"I want to be, the BIG rollercoaster!"

Doing improv with these developing minds always reveals the era of constant change we live in, in my opinion. It's quite evident that they have a lot to keep up with! The struggle to be in touch with the technology and information and lifestyle has got to be overwhelming sometimes, I'm sure. And yet if you give that growing spirit a chance, great interaction and innovation still comes out of these budding Generation Z-ers.

In a sense I sit back a bit, just enjoying the watch of them enjoying themselves, and I get satisfaction in seeing every one of them let out a least a few good laughs, directly stemming from the activities we play. Yes, in these workshops I want these young ones to have a good sense of playfulness and also laugh as much as they can and need to! Laugh and smile alongside the cool ideas they have, and that their peers have.

So it was quite evident in this Upward Bound workshop I had recently that ambition and creativity was strong with them, and that they enjoyed the betterment of good communication and conversation, something that can be a major concern in your adolescence. I think I have a teen workshop coming up again pretty soon. Yay!

corporate entertainment
Away Game Improv
by nate weingarden

Improv comedy on the road lends itself to incredible focus on relationship development. Not only do us, as actors, seek to find an intense connection with audience members that are relatively unfamiliar to our content, but we also find ways to accommodate for our fellow performers on and off stage.

There is an inevitably large amount of down-time that means keeping to one's self is really out of the question. Road trips, off-the-highway restaurant stops, conversations in hotel elevators – these are the things that build the foundation for a riveting show on the road. Nothing beats hearing about Carl Olson's anecdotes as a 5th grade misfit in a Le Suer Subway.

I often draw on my past experiences as an athlete to make a noteworthy comparison. A sporting event on the road bears striking similarities to road performances. For one, the athletes and actors alike must realize that they are in an “away game” scenario. They cater their preparation to the venue or event ahead, taking into account the acoustics, lighting and energy of the crowd. Before long, the stage is set, and the performers must play. They adjust their game strategy as the clock winds down. Actors embrace the power of improv “yes and-ing”, and agree to put their own interests aside for the sake of understanding the audience and gauging how to best retain their attention.

It is a challenging, yet rewarding task. Unlike athletic competition though, an improv comedy routine blends audience members and participants into one memorable encounter.

Corporate Workshops
How Customer loyalty programs really should work
​by stevie ray

Customer loyalty programs should be renamed. They should be called, "Our employees don’t know how to be nice to you, so we have to give you gifts to keep you coming back."

Like most people, I am a neighborhood shopper. I go to the same grocery store, bank branch, pharmacy and gas station every time. Since I have been in my neighborhood for more than 13 years, you would figure that I am one of the more familiar faces for the employees.

Finding the blame

My bank has great customer reward programs. They will deposit $25 into my checking account if I refer a friend who opens an account there. Wow. All I have to do to earn $25 bucks is to turn my friends into referral tools. I’m sure that will make my friends cherish our relationship all the more.

Now the tellers at the window and loan officers sitting at their desks don’t have to know who I am, or treat me like someone who has been coming in once a week for longer than some of them have been alive. That $25 takes care of it all.

When you treat people like that, they feel like cattle. First, they think something is wrong with themselves, then they think something is wrong with you.

Business implications

Translate that scenario to your business. When people visit your organization over and over throughout the years and are still treated like they are complete strangers, first they think there is something wrong with themselves, then they think there is something wrong with you.

When they reach the stage that something is wrong with you, a $25 reward isn’t going to mean squat.

Ray at the gas station treats me like you would actually treat a loyal friend — remembering my name, remembering things that matter to me, giving a genuine “glad to see you” smile instead of a “this is how I was trained to smile” — I go out of my way to give him my business.

The rest? If another store opened that was a few cents cheaper or a few blocks closer, I will treat them like they have treated me: like I don’t even know who they are.

This article first appeared in The Business Journals HERE

IN THE MOMENT

Improv is Life

Joden Kohls

One of the most common comments we hear after a show is “How do you do that?” Sure, there is training involved and stage experience for performing is helpful, but the truth of the matter is, improv is life. Real life, my life, your life, our lives… it’s all improv!    

There are eight rules that improv actors try to abide by to make the scenes they are in the most believable. They are: 

Trust

Don’t negate or deny (say “yes and…”)

Don’t ask questions

Make actional choices

Make assumptions

Give and take

Listen, watch and concentrate

Work to the top of your intelligence

These are all the same rules we followed when we were children playing with our friends. The rules we made up while playing Cops and Robbers or House or Kickball, whatever the game, they are the same rules as improv. It’s trust. It’s give and take. It’s no negations. Sure, one kid may say they are invisible during the game they are playing. The others, without hesitation, agree to that and accept it. Of course there is a “ghost runner” on the bases during your kickball game. We all know and accept that rule. It makes the game fun. Assumptions like this make life fun.  These are skills that we lose as adults. Well, maybe not lose per say, but definitely ignore.

It’s easy to be timid. It’s easy to not express your ideas or accept the ideas of others. Let’s get out of that mind set.  Listen to you partners idea. If you don’t like it or agree with it, don’t negate… add to it. Work on the idea together.  Give and take.  Trust that your partner will be there for you. Assume that you are a team and won’t let each other fail.

Some of the best, funniest and most well received scenes I’ve ever been in are based on real life situations. I know that sometimes the personalities of the characters we play in a scene can be silly or flat out bizarre, but the relationships we choose to explore are real. We accept the situation.  Relationships are what the audience cares about the most. William Shakespeare wrote, “All the world's a stage, and all the men and women merely players.” In my opinion, no truer words have ever been written. Think of your life as your show. Your world is your stage. You actions in life are the plot of the best show ever produced.  Live life to the top of your intelligence and open your mind to the rest of the rules we follow in improv. Do this, and at your final curtain call, you’ll be sure to receive a standing ovation.

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